In the multi-colored three-ring circus of weirdness that is Jobsite Theater’s Shockheaded Peter, upstage center sits musical director Jeremy Douglass, surrounded by instruments: A toy piano, a glockenspiel, two melodicas, a musical saw and others. He adds bass parts to the songs using foot pedals, and trips the sound effects and interstitial music.
Douglass wears black and white makeup and a hat that makes him resemble one of the psychotic droogs in A Clockwork Orange.
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