As a door slams in 1879 Norway, a young wife and mother leaves behind her family, freeing herself from the shackles of traditional societal constraints.

Now, 15 years later, that same door opens to reveal Nora, a changed woman with an incredibly awkward favor to ask the people who she abandoned.

Lucas Hnath’s bitingly funny sequel to Ibsen’s revolutionary masterpiece unfolds in a series of bristling stand-offs that reveal in Nora’s world, much like our own, behind every opinion there is a person, and a slamming door isn’t just an end, but also the chance for a new beginning.